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    <loc>https://i-s-l-a-n-d-s.com/projects</loc>
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    <lastmod>2020-08-27</lastmod>
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      <image:title>Projects - PrayPal</image:title>
      <image:caption>PURE EVER 10 April – 22 May 2020 I_S_L_A_N_D_S collaborates with artist collective, PURE EVER on PrayPal, the very first in a series of exhibitions for our new space. PrayPal speaks to the significance of the occult as a medium that drives legitimate, self evolving narratives of being. One that takes the processes out of a distinctly human project, and confounds it with the weird and the eerie – both as a mode of affect, as well as a mode of science. It serves as a doorway, with an affective pull towards matters of being that demand attention, by colliding it with the anomalous. Where the sphere of the occult is a medium for understanding the threshold between physicality and spirituality, the conscious and unconscious, the human and non-human, it is there too that we might find that we are not bound within singularity. But rather, this threshold illuminates the true is nature of our contemporary social experiences, and reveals our relationship to our state as neoliberal subjects through manner and matter of ghosts, orbs, hauntings, spectres, plasma, spirits, gods, demons etc. And for those who have long understood the multiplicities of being, PrayPal is perhaps a haunted ontology – a hauntology – and it speaks to our humanity; to the elements of intangible oppression and suffering, and to the desires and wants that do not and cannot be sustained in reality.</image:caption>
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      <image:title>Projects - Resigning Mass</image:title>
      <image:caption>Tristan Lim 25 July – 9 August 2020 We continue our programming at I_S_L_A_N_D_S with Resigning Mass, featuring new video work by multimedia artist, Tristan Lim, with collaborators Rafi Abdullah and Darius Ou. Resigning Mass centres itself around a script based on conversational scenes compiled from various films, forming a collaged conversation between two parties. This script is the material for which the presented characters are literally and metaphorically shaped on, affecting their forms and lives. It becomes the commandment that shapes every aspect of the characters. Images extracted from the same filmic scenes are then converted into 3D models, shaping the appearance of these anthropomorphic vessels. This presentation serves as the debut of To New Entities(TNE), a long-form project which seeks to re-envision visual media as bodies, characters, and/or vessels. Positing that nothing truly original can be conceived in contemporary times, the project looks at media as a well-spring of material deconstruction. With each exercise, formal qualities are remixed and remediated to create new expressions of resonance and dissonance – interrupting the chain of translation to produce interesting results. Click here to stay up to date on Resigning Mass and To New Entities (TNE).</image:caption>
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      <image:title>Projects - In Between, Comfort Things</image:title>
      <image:caption>Nature Shankar 15 August – 3 September 2020 I_S_L_A_N_D_S is pleased to debut a solo presentation of recent mixed media works by Nature Shankar. In Between, Comfort Things draws inspiration from the artist’s abiding interest in meditative processes as well as the significance of holding space for deeper conversations. In Between, Comfort Things speak to a deeply personal confrontation of what the artist describes as ‘comfort in bad faith,’ or feigning ignorance towards social issues (such as racism, xenophobia, and sexism), too often internalised for the sake of maintaining the status quo and simply getting on with life. In the artist’s own words, “I can make space for myself and fully sit with traumatic incidents and circumstances that’ve been avoided or compartmentalised – contextualising them through visual narratives to process the experience in its entirety… essentially ridding myself of deceptive comfort through a meditative and movement driven process.” Each work is created through a layered, intuitive, and movement-driven process that parallels the purification and purgation and of one’s emotions. Primarily composed of repurposed textiles and fabrics of personal significance, these pieces are stripped down to their essence before being assembled, reassembled, again and again until a visual narrative organically emerges. For the artist, fully engaging body and soul becomes a powerful rumination on presence – physical, social, and self – and the reclamation of personal agency.</image:caption>
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    <lastmod>2020-08-04</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2017/11/1/first-things-first</loc>
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    <priority>0.5</priority>
    <lastmod>2017-11-28</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2017/11/28/2</loc>
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    <lastmod>2017-12-13</lastmod>
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      <image:title>News - #2</image:title>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2017/12/13/3</loc>
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    <lastmod>2017-12-13</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/1/12/4</loc>
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    <lastmod>2018-01-12</lastmod>
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      <image:title>News - #4</image:title>
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      <image:title>News - #4</image:title>
      <image:caption>Detail from Drowning by Numbers (2017). Acrylic on canvas board, acrylic scale figure, architectural scale tiles, polyurethane foam, plaster with marble powder, plaster with paper pulp, fishing bait and hooks, plywood. 170 x 80 cm. water / 1, I_S_L_A_N_D_S.</image:caption>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/2/1/5</loc>
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    <lastmod>2018-02-01</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/2/1/6</loc>
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    <lastmod>2018-02-02</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/2/8/7</loc>
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    <lastmod>2018-02-08</lastmod>
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      <image:title>News - #7</image:title>
      <image:caption>Boedi Widjaja, "Imaginary homeland, kang ouw (一)," process image. Image courtesy of the artist.</image:caption>
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      <image:title>News - #7</image:title>
      <image:caption>Boedi Widjaja, Imaginary homeland, kang ouw (一), photocopies of scanned drawings, 150 x 195 cm. Installation view at I_S_L_A_N_D_S, 17 January–21 February 2018. Image courtesy of the artist and I_S_L_A_N_D_S.</image:caption>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/2/8/8</loc>
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    <priority>0.5</priority>
    <lastmod>2018-02-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59d71cdb3e00befc732fb636/1518240452901-I13CN4NPSNW306Y2AIMH/WhatsApp+Image+2018-02-08+at+4.12.54+PM.jpeg</image:loc>
      <image:title>News - #8</image:title>
      <image:caption>Christina, as a child with her sisters, mother, and Grandma Ruth</image:caption>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/3/4/9</loc>
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    <priority>0.5</priority>
    <lastmod>2018-03-04</lastmod>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/3/27/10</loc>
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    <priority>0.5</priority>
    <lastmod>2018-04-01</lastmod>
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      <image:title>News - #10</image:title>
      <image:caption>Ben Loong, Aggregate, found rock and mineral fragments, resin, plaster, gold leaf, PE foam, dimensions variable. Detail from installation view at I_S_L_A_N_D_S, 24 February – 31 March 2018. Image courtesy of the artist and I_S_L_A_N_D_S.</image:caption>
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      <image:title>News - #10</image:title>
      <image:caption>Ben Loong, Vug, 2017, resinated drywall plaster and gold leaf on canvas 36 x 25 cm. Image courtesy of the artist.</image:caption>
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      <image:caption>Ben Loong, Ant Mill, 2012, burlap, flour. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59d71cdb3e00befc732fb636/1522514446502-Z162NPRBU3N7MXWGFAX0/1503475834356.png</image:loc>
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      <image:caption>Ben Loong, Temple, 2012, timber, glazed ceramic, stockings, meat hooks, hemp, bandage, shellac. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59d71cdb3e00befc732fb636/1522514347803-LWIJB5BW7MJAOM6NHS6T/1503474038233.png</image:loc>
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      <image:caption>Ben Loong, Stick you, 2012, oil on canvas. Image courtesy of the artist.</image:caption>
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      <image:caption>Ben Loong, Grout, 2016, resinated drywall plaster on canvas, 40 x 30 cm</image:caption>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2018/6/10/14-berny-invisible-OeZ9Y</loc>
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    <lastmod>2020-08-04</lastmod>
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      <image:title>News - #14</image:title>
      <image:caption>Berny Tan, “… the invisible reasons which make cities live…”, 2018, digital print on paper, pins, pearl cotton thread, yarn, stickers, dimensions variable. Installation view at I_S_L_A_N_D_S.</image:caption>
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      <image:caption>Cover art for Invisible Cities by Peter Mendelsund, created for a reissue of Calvino’s works from Houghton Mifflin Harcourt.</image:caption>
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  <url>
    <loc>https://i-s-l-a-n-d-s.com/news/2020/7/7/praypal-pure-ever</loc>
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    <lastmod>2020-07-08</lastmod>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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      <image:title>News - Feature | "PrayPal" by PURE EVER</image:title>
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